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Bonus: Bari Weiss Again, Somehow
This is a free preview of a paid episode. To hear more, visit www.diabolicalliespod.comIn this (bonus) conversation…Ever wondered why Bari Weiss is constantly creeping around the perimeters of the conversations we have on this podcast? Well, folks, today’s the day to understand.
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Why America Can't See Gaza
In this conversation…Who could’ve foreseen when we started this podcast nearly one year ago to discuss the Times of London Ballerina Farm profile that today we’d be publishing a two-hour episode about the most stereotypically “controversial” geopolitical “dispute” in modern history?There’s one thing you’ll hear repeatedly in conversations about what’s happening in Gaza: It’s complicated.Or, you might hear that “Israel is the only democracy in the Middle East,” or that it’s the only country in the region that “shares our values.” (No objection there; Israel certainly shares American values, though probably not the values you think.)Unfortunately, the story of Israel and Palestine is a deeply American story—and it’s only through confronting it that we’ll be able to understand not just the past of American right-wing extremism, but its present and future.Even though we want this episode to be free for all to access, we want to extend a heartfelt “thank you” to the paid subscribers who make conversations like this one possible. $35,000 of the $66,000 in subscription payments we’ve donated so far this year have gone to food aid in Gaza. As Caro said, this episode is for—and exists because of—you, Dirty Little Liars: Thank you, and let’s fucking go.To become a paid supporter or access a full list of references and citations for this episode, head to diabolicalliespod.com. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.diabolicalliespod.com/subscribe
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The Internet Has a Porn Problem—Just Not the One You Think
This is a free preview of a paid episode. To hear more, visit www.diabolicalliespod.comIn this conversation…The feminist movement has never quite known what to do about porn. Some have argued that it’s a civil rights violation for women, while others have argued that any effort to ban or censor it will only end up serving the material goals of a deeply patriarchal and surveillance-minded state. So…which is it?Today’s conversation is about…
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The Womanosphere Claims It's Winning Young Women—But Is It?
In this conversation…It’s the grassroots sensation sweeping the internet and, by extension, the culture—proof that conservative values are mainstream, conservative women are hot, and their rapidly proliferating attendant movement is finally overpowering the excesses of liberalism. “We aren’t running from culture anymore,” as Alex Clark put it, “We’re running it.” They’re courageous enough to stand up for countercultural ideas like, “Women should be wives and mothers,” or, “White people are superior,” and there’s one thing they want to make absolutely sure you know: They’re taking over.…or are they?What do “conservative values” mean in this context? What does it mean to be a conservative, when the tent has metastasized beyond the point of recognizable cohesion? And most importantly, is there any proof that this “movement” is growing more popular with young women? Diabolical Lies investigates. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.diabolicalliespod.com/subscribe
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Sabrina Carpenter & the Politics of Pop Star Sexuality
This is a free preview of a paid episode. To hear more, visit www.diabolicalliespod.comIn this conversation…When Sabrina Carpenter shared the album cover for her highly anticipated seventh studio album, Man’s Best Friend, the internet suffered an algorithmic nosebleed. An extremely high-stakes cultural debate unfolded: Was the photo (and correspondingly, her entire vibe) supposed to be funny? A form of edgy political satire? Or was Carpenter cashing in on our cultural history of fetishizing domestic violence/pedophilia/women’s suffrage/[insert infuriating clickbait term here]?In response to the foaming masses, Carpenter released a second alternative album cover — this one “approved by God.” But the question remains: did she do something wrong to begin with? What do pop stars owe the public, anyways — and what does our seemingly eternal frustration with them say about us?References in This EpisodeIt’s not technically true that Sabrina Carpenter “became a pop star” in 2024. She’s been rising and grinding for over a decade now, moving through the Disney Industrial Complex with seemingly tireless pluck: First she starred in Girl Meets World, then she released five studio albums (casual), then she featured as “that blonde girl” in the Olivia Rodrigo diss track heard round the world, and then, finally, she got her big break. Well, technically two big breaks: she opened at the Eras Tour, and then she rebranded herself as a sixties, Bardot-esque character alongside the release of her sixth studio album, Short n’ Sweet. Boom. A star is born, etc. …but of course, the rules of stardom are clear: you cannot become a deeply famous, deeply marketable, deeply accessible Female Pop Entity without also becoming vaguely despised by feminists and evangelicals alike. Neat! Carpenter’s first major foray into controversy happened thanks to this W Magazine photoshoot, which featured Carpenter emulating the visuals of…
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