Thirteen million Syrians - half the population - left their homes during their country's 13-year civil war. Seven million were internally displaced. Six million fled abroad. Bringing them home is perhaps the biggest challenge facing Syria's new rulers. But many can’t return, because their homes are in ruins, and jobs and essential services are lacking. Tim Whewell follows a variety of returnees back to Homs, Syria’s third city, which saw some of the worst destruction of the war. A private charity organises convoys of families wanting to return from camps in the north of the country. But once returnees like Fatima Hazzoura get back, they're left to cope on their own. Some who came back earlier have managed to repair their homes. But others find their houses are just empty, burnt-out shells. Meanwhile, some in Homs who stayed throughout the war - members of the Alawite minority, whose neighbourhoods remained intact - are thinking of leaving now, fearful that the new government of former Islamist rebels will not protect them. And Homs people who made new lives abroad are hesitant to return permanently while the situation is so unstable , and the economy still crippled by international sanctions. Can the fabric of an ancient and diverse city be rebuilt? Tim finds grief and fear among the ruins - but also laughter, and flashes of Homs's famous humour. Production: Tim Whewell
Research/field production/translation: Aref al-Krez
Translation: Maria Mohammad
Security/photography: Rolf Andreason
Sound mixing: James Beard
Production Coordinator: Gemma Ashman
Editor: Penny Murphy
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29:28
Russia's Church in Texas
Not that long ago many church-going Americans saw Russia as a godless place, an “evil empire” in the words of Ronald Reagan. But in President Trump’s second term, US-Russia relations have been turned on their head. The White House sided with the Kremlin at the United Nations, voting against a resolution to condemn Russia's invasion of Ukraine.This seismic shift is also being felt in parishes across America. Increasing numbers of US Catholics and Protestants are embracing Eastern Orthodoxy. Many converts disillusioned by the showbiz elements in many megachurches, say they are drawn to a faith with enduring traditions. Some, uneasy with social and demographic change, believe the churches they were raised in have lost their authority by going “woke” – shorthand for supporting equal marriage, female clergy, pro-choice, Black Lives Matter and other liberal issues.Some converts have hundreds of thousands of followers online, and push Kremlin narratives that Russia is the world's last bastion of true Christianity - a few of the most radical have even emigrated there. Lucy Ash has been to Texas – one of the most religious states in the US – to meet some new converts. Presenter: Lucy Ash
Producer: Linda Pressly
Sound mix: James Beard
Production Co-ordinator: Gemma Ashman
Editor: Penny Murphy
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29:24
Leaving Israel for Cyprus
Increasing numbers of Israeli people are moving to the nearby island of Cyprus. Sky high property prices, disillusion with domestic politics and security concerns following the Hamas attacks of 7th October have led several thousand families to leave. They’re building on a rich history of Cypriot hospitality towards Jews. But in Turkish-controlled northern Cyprus, huge luxury developments built by Israeli companies are causing controversy. Presenter: Lucy Proctor
Producer: Mike Gallagher
Production Coordinator: Gemma Ashman
Studio mix: Simon Jarvis
Editor: Penny Murphy
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28:57
Dicing with democracy? Romania’s cancelled election
A cancelled election, a cancelled candidate and a divided country – is Romania’s democracy under threat?
Last December the country’s Constitutional Court cancelled the presidential election two days before the final vote, citing outside interference, with the nationalist pro-Putin candidate, Calin Georgescu, riding high in the polls. TikTok sensation and portraying himself as an outsider, Georgescu’s anti-EU and anti-NATO message resonated with an unhappy electorate. His sudden success was unprecedented, as was the cancelation of a European democratic election.
The political establishment claim that cyberwarfare and Russian interference gave them no choice. Georgescu has now been eliminated from May’s Presidential re-run.
Historian Tessa Dunlop asks how this happened, why it matters and what next for this strategically important country on the eastern edge of the EU and NATO?Presenter: Dr. Tessa Dunlop
Producer: John Murphy
Studio Mix: James Beard
Production co-ordinator: Gemma Ashman
Series Editor: Penny Murphy
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33:47
Spain - can an algorithm predict murder?
Early on a Sunday morning in February in the Spanish seaside town of Benalmadena, Catalina, a 48-year-old mother of four, was killed at home – the building was set on fire. Her ex-partner was arrested and remains in custody. In January, Lina – as she was known to her family and friends – had reported her ex-partner to the police for ill-treatment and threatening behaviour. And by doing so, she became one of around 100,000 cases of gender-based violence active in Spain’s VioGen system.
VioGen is an algorithm used by the police – it’s a risk assessment tool. Based on a woman’s answers to a series of questions, it calculates the likelihood she will be attacked again so police resources can be allocated to protect those most in danger. The level of risk could be negligible, low, medium, high or extreme. Lina was recorded as being at ‘medium’ risk of a further attack by the man who was her ex-partner. Three weeks later, she was dead. VioGen’s critics are concerned about the number of women registered on the system who are then murdered by men who are former or current partners. Its champions claim that without VioGen there would be far more violence against women.
With AI in the ascendency, and governments increasingly turning to algorithms to make decisions affecting society, for Crossing Continents, Linda Pressly and Esperanza Escribano investigate the story of VioGen and domestic violence in Spain.Presented and produced by Linda Pressly and Esperanza Escribano
Studio mix by Nigel Appleton
Production coordinator: Gemma Ashman
Series editor: Penny Murphy
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