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On this episode: Lucy Lopez, Elizabeth Newcamp, and Zak Rosen share their triumphant week, which included smashed shells, sleep-over bravery, and an impromptu sex-ed explainer. They also answer a question about visiting a grandparent who is experiencing Alzheimer's.
Podcast production by Cheyna Roth and Rosemary Belson. Video production by Micah Phillips.
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Even with Trump in attendance, it didn’t look like the Supreme Court was buying his administration’s attack on the 14th amendment and birthright citizenship. But how the justices decide the case could leave the door open for another, savvier attempt to overturn birthright citizenship in the future.

Guest: Jamelle Bouie, opinion columnist at The New York Times.

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Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther.
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This bonus episode of Amicus, with full access exclusive for Slate Plus members, is a comprehensive exploration of Wednesday’s arguments in the Trump v. Barbara case on birthright citizenship. This landmark case challenges the executive order aimed at denying citizenship to children born in the U.S. to undocumented immigrants and temporary visa holders, potentially affecting millions of individuals born in the U.S.
Mark Joseph Stern talks to legal scholar Evan Bernick –– who co-authored a key amicus brief in this case –– about the Supreme Court’s reaction to Trump’s order to gut the 14th amendment of the constitution and remake the legal landscape surrounding citizenship. The stakes are high, and the implications reach far beyond the courtroom.
This episode is member-exclusive. Listen to it now by subscribing to Slate Plus. By joining, not only will you unlock weekly bonus episodes of Amicus—you’ll also access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Amicus show page on Apple Podcasts and Spotify. Or, visit slate.com/amicusplus to get access wherever you listen.

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On this week’s show, Dana is joined by Slate’s own Nadira Goffe and Richard Lawson, of the Critical Darlings podcast. Their first agenda item is Jury Duty Presents: Company Retreat, the second installment of the workplace comedy/reality show hybrid which places an unknowing everyman in a made-up scenario populated entirely by actors. Does the second season deliver a heart-warming moral test in the form of comedy or a manipulative prank? They discuss.

Next for more funhouse mirror television, they take up Bait, the Riz Ahmed-starring and created show about a Riz Ahmed-like actor vying for the role of James Bond. The show is stuffed with ideas and Ahmed’s charm, but they debate whether its conceptual martini sufficiently shaken or stirred.

Finally, it’s time to go out, wear something nice, and push as they take a listen to Sexistential, the new album by Swedish dance pop queen Robyn. Though the “Dancing On My Own” singer has a new partner on the dancefloor in her young son, motherhood and midlife make for some real club classics.

On a bonus episode for Plus subscribers, they take up the question, as posed in a recent New Yorker article, of whether “plagiarism is that bad?”

Endorsements

Richard: The compulsively watchable time travel family drama The Way Home, a Hallmark Channel Original. (And subscribing to Critical Darlings)

Nadira: The ten minute disco cover of "Bridge Over Troubled Water" by Linda Clifford and the album WOR$T GIRL IN AMERICA by Slayyyter.

Dana: The new book by Mason Currey Making Art and Making a Living as well as his newsletter Subtle Maneuvers.

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Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.
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On today’s episode, host Kate Lindsay is joined by Defector co-owner Alex Sujong Laughlin, whose recent piece about “lip filler accent” identified a new way TikTok is changing how we speak. Even people who don’t have any plastic surgery at all appear to be picking up on the trend, because when it comes to status, sounding like someone who has had plastic surgery is really all that matters.

This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from Kevin Bendis.
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