In Conversation: An OUP Podcast

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Lewis A. Grossman, "Choose Your Medicine: Freedom of Therapeutic Choice in America" (Oxford UP, 2021)
Throughout American history, lawmakers have limited the range of treatments available to patients, often with the backing of the medical establishment. The country's history is also, however, brimming with social movements that have condemned such restrictions as violations of fundamental American liberties. This fierce conflict is one of the defining features of the social history of medicine in the United States. In Choose Your Medicine: Freedom of Therapeutic Choice in America (Oxford UP, 2021), Lewis A. Grossman presents a compelling look at how persistent but evolving notions of a right to therapeutic choice have affected American health policy, law, and regulation from the Revolution through the Trump Era. Grossman grounds his analysis in historical examples ranging from unschooled supporters of botanical medicine in the early nineteenth century to sophisticated cancer patient advocacy groups in the twenty-first. He vividly describes how activists and lawyers have resisted a wide variety of legal constraints on therapeutic choice, including medical licensing statutes, FDA limitations on unapproved drugs and alternative remedies, abortion restrictions, and prohibitions against medical marijuana and physician-assisted suicide. Grossman also considers the relationship between these campaigns for desired treatments and widespread opposition to state-compelled health measures such as vaccines and face masks. From the streets of San Francisco to the US Supreme Court, Choose Your Medicine examines an underexplored theme of American history, politics, and law that is more relevant today than ever. Stephen Pimpare is director of the Public Service & Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire.
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42:39
Alexander Mikaberidze, "Kutuzov: A Life in War and Peace" (Oxford UP, 2022)
Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleon's Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzov's remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in Kutuzov: A Life in War and Peace (Oxford UP, 2022), Kutuzov's story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long career--marked equally by victory and defeat, embrace and ostracism--he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was--a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleon's invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoy's portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale.
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1:10:02
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1:10:02
Anthony Michael Petro, "Provoking Religion: Sex, Art, and the Culture Wars" (Oxford UP, 2025)
In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program.
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1:19:52
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1:19:52
Scott Pearce, "Northern Wei (386-534): A New Form of Empire in East Asia" (Oxford UP, 2023)
Emerging from collapse of the Han empire, the founders of Northern Wei had come south from the grasslands of Inner Asia to conquer the rich farmlands of the Yellow River plains. Northern Wei was, in fact, the first of the so-called "conquest dynasties" complex states seen repeatedly in East Asian history in which Inner Asian peoples ruled parts of the Chinese world. An innovative contribution to East Asian and Chinese history of the medieval period, Northern Wei (386-534) combines received historical text and archaeological findings to examine the complex interactions between these originally distinct populations, and the way those interactions changed over time. Scott Pearce analyses traditions borrowed and adapted from the long-gone Han dynasty including government and taxation as well as the new cultural elements such as the use of armor for man and horse in the cavalry and the newly-invented stirrup. Further, this book discusses the fundamental change in the dynastic family, as empresses began to play an increasingly important role in the business of government. Though Northern Wei fell in the early sixth century, the nature of the state was thus fundamentally changed, in the Chinese world and East Asia as a whole; it had laid down a foundation from which a century later would emerge the world empire of Tang.
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1:14:11
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1:14:11
Murad Idris, "War for Peace: Genealogies of a Violent Ideal in Western and Islamic Thought" (Oxford UP, 2019)
Murad Idris, a political theorist in the Woodrow Wilson Department of Politics at the University of Virginia, explores the concept of peace, the term itself and the way that it has been considered and analyzed in western and Islamic political thought. War for Peace: Genealogies of a Violent Ideal in Western and Islamic Thought (Oxford University Press, 2018) traces the concept of peace, and the way it is often insinuated with other words and concepts, over more than 2000 years of political thought. Idris begins with Plato’s Laws as one of the early sources to consider the tension that seems to be constant in terms of the pursuit of violence in order to attain peace. War for Peace provides some important framing in thinking about peace, in large measure because the research indicates how rare it is for peace itself to be solitary, it is almost always lassoed to other words and concepts, and functions either as a binary opposition (e.g.: war and peace) or as part of a dyad combination (e.g.: peace and justice). We are urged to think about peace and the valence that is given to the word and the ideal—since the moral and the political understandings of peace are often entangled and part of what Idris is doing in his careful and thoughtful research is to tease out the political concept, apart from the often religious and moral ideal. This rich and complex analysis integrates a broad group of theorists—Plato, al-Farabi, Aquinas, Erasmus, Gentili, Grotius, Ibn Khaldun, Hobbes, Kant, and Sayyid Qutb)—all of whom were examining the role of peace within politics and political thought. And Idris structures these thinkers into chronological and theoretical groupings, to explore the ways in which they were responding to each other, across time, but also to understand how different thinkers were connecting peace to other concepts. War for Peace: Genealogies of a Violent Ideal in Western and Islamic Thought may leave the reader anxious but also enlightened in considering this idea and its perplexing place within the history of political thought. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).
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1:06:01
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1:06:01