Librivox Audiobooks

Childhood's Favorites and Fairy Stories (Pt.2)
Since this series of books is intended for all young people from one
to one hundred, it opens with about eighty of the old MOTHER GOOSE
RHYMES. Nothing better was ever invented to tell to little folks who
are young enough for lullabies. Their rhythm, their humor, and thei
pith will always cause us to prize them as the Babies' Classics. Editors: Hamilton Wright Mabie, Edward Everett Hale, William Byron Forbush.(Gutenberg Text)
Genre(s): Myths, Legends & Fairy Tales
Language: English
Keyword(s): fiction (1613), children (1119), stories (139), fairy (30)

Since this series of books is intended for all young people from one
to one hundred, it opens with about eighty of the old MOTHER GOOSE
RHYMES. Nothing better was ever invented to tell to little folks who
are young enough for lullabies. Their rhythm, their humor, and thei
pith will always cause us to prize them as the Babies' Classics. Editors: Hamilton Wright Mabie, Edward Everett Hale, William Byron Forbush.(Gutenberg Text)
Genre(s): Myths, Legends & Fairy Tales
Language: English
Keyword(s): fiction (1613), children (1119), stories (139), fairy (30)

G. K. Chesterton was a great admirer of Charles Dickens, and wrote a noted critique of Dickens' works expressing his opinion in his own inimitable style. (Summary by Karen Merline)
Genre(s): Biography & Autobiography, Literary Criticism
Language: English
Keyword(s): dickens (67), Chesterton (43), Charles Dickens (23), G. K. Chesterton (15)

The Changeling is a sensational 1622 tragicomedy by Thomas Middleton and William Rowley that comprises two intertwining plots. The first involves Beatrice-Joanna, daughter of the governor of Alicante, and her unruly passion for Alsemero, despite the fact that she is engaged to Alonzo de Piracquo. She enlists the aid of her father's servant De Flores to kill Alonzo so that she can marry Alsemero. However, she does not anticipate that De Flores, who is in love with her, will demand payment for the deed. The second plot is set in a madhouse, where the jealous old doctor Alibius is keeping his beautiful young wife Isabella confined so that she will not be unfaithful to him. Despite his best efforts, she is assailed by illicit suitors on all sides: Franciscus, who disguises himself as a madman, Antonio, who disguises himself as a fool, and Lollio, his lustful servant. (Summary by Elizabeth Klett)
Cast
Alsemero: mb
Jasperino: Charlotte Duckett
First Servant/Servant/First Madman: Availle
Pedro/Franciscus/Vermandero: Alan Mapstone
Beatrice-Joanna/Lollio: Elizabeth Klett
DeFlores: David Nicol
Diaphanta: Meredith Clement
Alibius: Algy Pug
Alonzo de Piracquo: Chuck Williamson
Antonio: Kevin Johnson
Isabella: Caprisha Page
Tomazo de Piracquo: Todd
Narrator: Arielle Lipshaw
Audio edited by Elizabeth Klett
Genre(s): Comedy, Tragedy
Language: English
Keyword(s): drama (199), tragedy (170), play (117), jacobean (9), middleton (5), rowley (1)

The word Upanishad (upa-ni-shad) consists of, "Upa" means "near;" "ni" means "down;" "shad" means "to sit." Thus, Upanishad is to sit down near the teacher to discuss, learn, practice, and experience. There are some 200 or more Upanishads. Some are lost and are only known about because of being referenced in other Upanishads.
The Chandogya-upanishad belongs to the Sama-veda. It ranks among the oldest Upanishads, dating to the Brahmana period of Vedic Sanskrit (before the 8th century BC). It figures as number 9 in the Muktika canon of 108 Upanishads. It is part of the Chandogya Brahmana, which has ten Prapathakas (Parts). The first two Prapathakas of the Brahmana deal with sacrifices and other forms of worship. The other eight Prapathakas and their Khandas (Chapters) constitute the Chandogya Upanishad.
The 11 principal Upanishads to which Sankara appeals in his great commentary on the Vedanta-Surtras are: Chandogya, Talavakara or Kena, Aitareya, Kaushitaki, Vajasaneyi or Isha, Katha, Mundaka, Taittirtiyaka or Taittiriya, Brihadaranyaka, Svetasvatara, and Prasna. They are also called the 11 classical Upanishads or the fundamental Upanishads of the Vedanta Philosophy.
The Upanishadic literature is not a religious scripture and is free from dogma and doctrines. It is not a part of any religion but is a philosophy for all times and for all. German philosopher Arthur Schopenhauer, impressed by the Upanishads, called the texts "the production of the highest human wisdom". (Summary by Jothi)
Genre(s): Ancient, Asian Antiquity
Language: English
Keyword(s): philosophy (997), vedic sanskrit (2), brahmana (2), muktika (2), prapathaka (2), khanda (2)
Group: Upanishads