Four Play

The Wachowskis walked into a studio with a copy of Ghost in the Shell and said "we want to do that, but for real." Four years later, The Matrix made a billion dollars. Ghost in the Shell made nothing on release. Richard Lewis, Thorin, and MonteCristo break down why the 80-minute anime the Wachowskis ripped off is deeper, smarter, and more relevant in the age of AI than the franchise it spawned.

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There is a sentiment going around that Akira is mid. Richard Lewis, Thorin, and MonteCristo are here to tell you that the internet is wrong, but also that the people who told you it was a flawless 10 out of 10 masterpiece were wrong too. The truth is more interesting than either side.

Akira's animation is a genuine 10 out of 10. Nothing from 1988 looks like this. Almost nothing from 2026 looks like this. The craftsmanship is immaculate, every frame hand-drawn with a fluidity and detail that makes anime produced a decade later look cheap by comparison. The soundtrack is spectacular. The world-building drops you into Neo-Tokyo without a single line of exposition. You don't even hear the word "Akira" for 50 minutes in a movie called Akira.

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Open Range (2003) proves Robert Duvall can carry a western on his back — even when Kevin Costner is standing right next to him.

 

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A Civil Action has the most stacked cast of any movie you've never seen. Robert Duvall, John Travolta, James Gandolfini, Tony Shalhoub, John Lithgow, William H. Macy, and Stephen Fry. It's a 6.5 out of 10 film elevated to must-watch by performances alone. Richard Lewis, MonteCristo, and Thorin break down why Duvall's Harvard defense attorney is the best thing in the movie and why the movie itself can't keep up with him.

 

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Robert Duvall wrote it, directed it, and delivered his career-best performance in it. The Apostle is a $5 million Southern Gothic character study about a charismatic Pentecostal preacher who murders a man with a baseball bat at his own children's Little League game, flees to small-town Louisiana, and builds an entirely new congregation from scratch. He is a wife-beater, a womanizer, a killer, and a true believer. There is no rug pull. Richard Lewis, MonteCristo, and Thorin break down why this is the most honest film about faith Hollywood has ever made.

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