Jorge Luis Borges was a librarian with rock star status, a stimulus for magical realism who was not a magical realist, and a wholly original writer who catalogued and defined his own precursors. It’s fitting that he was fascinated by paradoxes, and his most famous stories are fantasias on themes at the heart of this series: dreams, mirrors, recursion, labyrinths, language and creation.
Marina and Chloe explore Borges’s fiction with particular focus on two stories: ‘The Circular Ruins’ and ‘The Aleph’. They discuss the many contradictions and puzzles in his life and work, and the ways in which he transformed the writing of his contemporaries, successors and distant ancestors.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/applecrff
In other podcast apps: https://lrb.me/closereadingsff
Further reading in the LRB:
Michael Wood on Borges’s collected fiction:
https://www.lrb.co.uk/the-paper/v21/n03/michael-wood/productive-mischief
Colm Toíbìn on Borges’s life:
https://www.lrb.co.uk/the-paper/v28/n09/colm-toibin/don-t-abandon-me
Marina Warner on enigmas and riddles:
https://www.lrb.co.uk/the-paper/v29/n03/marina-warner/doubly-damned
Daniel Wassbeim on Sur and Borges’s circle:
https://www.lrb.co.uk/the-paper/v10/n05/daniel-waissbein/dying-for-madame-ocampo
Next episode: Marina and Chloe discuss The Hearing Trumpet by Leonora Carrington.
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‘Frankenstein’ by Mary Shelley
Born from grief, exile, intellectual ferment and the ‘year without a summer’, Frankenstein is a creation myth with its own creation myth. Mary Shelley’s novel is a foundational work of science fiction, horror and trauma narrative, and continues to spark reinvention and reinterpretation.
In their fourth conversation together, Adam Thirlwell and Marina Warner explore Shelley’s treatment of birth, death, monstrosity and the limits of science. They discuss Frankenstein’s philosophical and personal undercurrents, and how the creature and his creator have broken free from the book.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/applecrff
In other podcast apps: https://lrb.me/closereadingsff
Read more in the LRB:
Claire Tomalin on Mary Shelley’s letters:
https://lrb.me/ffshelley1
Caroline Gonda on the original Frankenstein:
https://lrb.me/ffshelley2
Marilyn Butler on Frankenstein as myth:
https://lrb.me/ffshelley3
Anne Barton on Mary Shelley’s life:
https://lrb.me/ffshelley4
LRB Audiobooks
Discover audiobooks from the LRB: https://lrb.me/audiobooksff
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Mikhail Bulgakov and James Hogg
James Hogg’s ghoulish metaphysical crime novel 'The Private Memoirs and Confessions of a Justified Sinner' (1824) was presented as a found documented dating from the 17th century, describing in different voices the path to devilry of an antinomian Calvinist, Robert Wringhim. Mikhail Bulgakov’s 'The Master and Margarita', written between 1928 and 1940, also hinges around a pact with Satan (Woland), who arrives in Moscow to create mayhem among its literary community and helps reunite an outcast writer, the Master, with his lover, Margarita. In this episode, Marina and Adam look at the ways in which these two ferocious works of comic horror tackle the challenge of representing fanaticism, be it Calvinism or Bolshevism, and consider why both writers used the fantastical to test reality.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/applecrff
In other podcast apps: https://lrb.me/closereadingsff
Further reading in the LRB:
Liam McIlvanney on James Hogg:
https://lrb.me/ffbulgakov1
Michael Wood on Bulgakov:
https://lrb.me/ffbulgakov2
LRB Audiobooks
Discover audiobooks from the LRB: https://lrb.me/audiobooksff
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Gothic Tales by Jan Potocki and Isak Dinesen
‘With Potocki,’ Italo Calvino wrote, ‘we can understand that the fantastic is the exploration of the obscure zone where the most unrestrained passions of desire and the terrors of guilt mix together.’ The gothic is a central seam of the fantastic, and in this episode Marina and Adam turn to two writers in that mode who lived over a hundred years apart but drew on the period of the Napoleonic wars: Jan Potocki and Isak Dinesen (the pseudonym of Karen Blixen).
Potocki’s The Manuscript Found in Saragossa (1805) is a complex sequence of tales within tales, written from the point of view of the early 19th century but describing events in Spain in the 18th century. It’s a powerful commentary on the preoccupations of the Enlightenment and the repression of historical guilt. In Seven Gothic Tales (1934), Dinesen confronts some of the most unsettling aspect of sexual guilt and desire with psychological astuteness. Adam and Marina discuss the ways in which, in both works, the gothic was able to explore areas of human experience that other genres struggled to accommodate.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/applecrff
In other podcast apps: https://lrb.me/crscfflrbpod
Read more in the LRB:
On Potocki:
https://lrb.me/ffpotocki1
On 'Out of Africa':
https://lrb.me/ffpotocki2
On Dinesen's letters:
https://lrb.me/ffpotocki3
LRB Audiobooks
Discover audiobooks from the LRB: https://lrb.me/audiobooksff
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Stories by Franz Kafka
In the stories of Franz Kafka we find the fantastical wearing the most ordinary, realist dress. Though haunted by abjection and failure, Kafka has come to embody the power and potential of literary imagination in the 20th century as it confronts the nightmares of modernity.
In this episode, Marina Warner is joined by Adam Thirlwell to discuss the ways in which Kafka extended the realist tradition of the European novel by drawing on ‘simple forms’ – proverbs, wisdom literature and animal fables – to push the boundaries of what literature could explore, with reference to stories including ‘The Judgment’, ‘In the Penal Colony’ and ‘A Report to the Academy’.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/applecrff
In other podcast apps: https://lrb.me/closereadingsff
Further reading in the LRB:
Franz Kafka (trans. Michael Hofmann): Unknown Laws
https://lrb.me/ffkafka1
Rivka Galchen: What Kind of Funny is He?
https://lrb.me/ffkafka2
Judith Butler: Who Owns Kafka?
https://lrb.me/ffkafka3
J.P. Stern: Bad Faith
https://lrb.me/ffkafka4
LRB AUDIOBOOKS
Discover audiobooks from the LRB: https://lrb.me/audiobooksff
Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis traverse the great parallel tradition of the literature of astonishment and wonder, dread and hope, from the 1001 Nights to Ursula K. Le Guin.
Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.
Texts include:
The Thousand and One Nights
Jonathan Swift, Gulliver’s Travels
The Travels of Marco Polo
Italo Calvino, Invisible Cities
Lewis Carroll, Alice’s Adventures in Wonderland and Through the Looking-Glass
The stories of Franz Kafka
James Hogg, The Private Memoirs and Confessions of a Justified Sinner: Written by Himself
Mikhail Bulgakov, The Master and Margarita
Mary Shelley, Frankenstein
Jorge Luis Borges, Ficciones
Leonora Carrington, The Hearing Trumpet
and works by Angela Carter, J.G. Ballard and Ursula K. Le Guin
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