The New Yorker Radio Hour

The Department of Government Efficiency, better known as DOGE, has officially been terminated. Its July 4th sunset date was part of Donald Trump’s original executive order that created the agency, which Elon Musk ran. During his tenure, Musk oversaw the dismantling of U.S.A.I.D., which used to provide life-saving medical and nutritional programs around the world. Musk, who recently became the world’s first trillionaire, claims that there is no evidence that a single person died after DOGE cancelled more than eighty per cent of U.S.A.I.D.’s programs, cutting basic health-care access to some ninety-five million people. Atul Gawande disagrees. He was the assistant administrator for global health at  U.S.A.I.D. until he stepped down, the same week Trump ended U.S. foreign assistance. Gawande says an estimated seven hundred thousand people have already died as a result of the cuts. David Remnick speaks with the longtime New Yorker contributor about the profound effects of ending U.S.A.I.D.’s work abroad, Musk’s involvement in these decisions, and the deaths it all has wrought.   

Further reading, viewing, and listening: 

“The Shutdown of U.S.A.I.D. Has Already Killed Hundreds of Thousands,” film by Thomas Jennings and Annie Wong, text by Atul Gawande

“Hundreds of Thousands Will Die,” an episode of The New Yorker Radio Hour

“Behind the Chaotic Attempt to Freeze Federal Assistance,” by Atul Gawande

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With all the sports news at play this summer, from the New York Knicks winning the N.B.A. Finals to Donald Trump having a direct impact on FIFA’s decisions during the World Cup, it’s time for a deep dive into the biggest sports moments of late. The New Yorker sportswriter Louisa Thomas and David Remnick talk about the most significant stories of the week, and what to keep an eye on in the days and weeks ahead.

Further reading, viewing, and listening:

“The U.S. Crashes Out of the World Cup,” by Louisa Thomas

“Serena Williams Returns to Wimbledon,” by Louisa Thomas

“The Knicks Win the N.B.A. Title: A Post-Game Conversation,” with David Remnick, Vinson Cunningham, and Louisa Thomas

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.

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The comedian Fred Armisen has a thing for sound: he’s a former punk-rocker who gets a lot of comic mileage from doing accents, and he released an album of sound effects—a modern update of a novelty genre from his youth. “100 Sound Effects” came out last year, on the venerable indie label Drag City. The track titles are themselves little punch lines: “Guitar Tuned but Still Somehow Out of Tune,” “Supportive Booing at a Speech,” and “Terrified Audience at an Authoritarian Nation Official Event.” Armisen talked with the staff writer Michael Schulman about sound effects and the origins of his love for accents, and they went out to do some sound recording of their own on the summer streets of New York.   

This segment was produced with assistance from John DeLore. 

This segment originally aired on August 29, 2025.

Further reading: 

“Fred Armisen Goes Bang! Zip! Zoop!,” by Michael Schulman

“Shakespeare, Off the Cuff,” by Mike O’Brien and Fred Armisen

 

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

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The unofficial anthem of New York City is “Empire State of Mind,” the Jay-Z song with that unforgettable hook, sung by Alicia Keys. So it was only fitting that when New York celebrated the Knicks’ N.B.A. Finals victory, Keys took the stage at City Hall to sing it. It was a classic New York moment, for an artist who is herself a true New Yorker. In her musical, “Hell’s Kitchen,” Keys uses her songs to tell the story of a teen-ager growing up, like Keys, in the titular Manhattan neighborhood, near Times Square—a “place of the have-nots,” as she told David Remnick, with “this unique balance between that grime, and the potential of Broadway.” They spoke when “Hell’s Kitchen” was in previews; it went on to win two Tony Awards, and recently began a national tour. 

This segment originally aired on March 29, 2024.

Further reading: 

“‘Hell’s Kitchen’ Brings Alicia Keys’s Musical Power to the Public,” by Helen Shaw

 

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Washington Roundtable is joined by Jeff Stein, the veteran political reporter and founding editor of the newsletter “Spytalk,” to examine Donald Trump’s appointment of Bill Pulte as the new acting Director of National Intelligence, a position that, in theory, oversees the C.I.A., N.S.A., F.B.I., and fifteen other agencies. Pulte has no intelligence background and no national-security experience, but does have a track record of going after the President’s perceived enemies. Plus, the panel discusses a recent Washington Post investigation that raised new questions about the outgoing director, Tulsi Gabbard, and her alleged ties to a religious cult.

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