Fully-Booked: Literary Podcast

Greek mythology retellings keep multiplying, and nobody can quite explain why. Christopher Nolan just dropped a $250 million adaptation of The Odyssey, a poem roughly 2,700 years old, and Meaghan and Shirin wanted to figure out what keeps pulling all of us (and Hollywood) back to these stories.

This one stays high-level, and neither of us was a classics major, so we'll own that upfront. We walk through what The Odyssey actually is, why Odysseus is a much grayer hero than people remember, and why feminist retellings like Madeline Miller's Circe keep landing so hard. Then we get into Nolan's stacked cast: Matt Damon as Odysseus, Anne Hathaway as Penelope, Tom Holland as Telemachus, Zendaya as Athena, Robert Pattinson as the suitor Antinous, and Lupita Nyong'o doing double duty as Helen of Troy and Clytemnestra.

Christopher Nolan's The Odyssey (2026): The Cast, Explained

• Nolan's $250 million IMAX adaptation of The Odyssey hit theaters on July 17, 2026, his first film since Oppenheimer.

• Confirmed casting: Matt Damon as Odysseus, Anne Hathaway as Penelope, Tom Holland as Telemachus, Zendaya as Athena, Robert Pattinson as the suitor Antinous.

• Lupita Nyong'o pulls double duty as Helen of Troy and her sister Clytemnestra. Charlize Theron plays Calypso (some listings say Circe, so we're flagging it).

 

The Odyssey, For People Who Skipped Classics

• The short version: Odysseus spends ten years getting home to Ithaca after the Trojan War, mostly because he pissed off Poseidon.

• Penelope holds down the kingdom and fends off suitors while raising their son, Telemachus, not knowing if her husband is alive.

• Gods, monsters, a cyclops, the enchantress Circe, the sirens. Odysseus survives on cunning over brute strength, then loses his whole crew anyway.

 

Why Greek Mythology Retellings Keep Winning

• Older texts sort people into good and bad. Modern retellings hand the mic to the ones shoved to the margins.

• Feminist retellings are the clearest example, like Madeline Miller's Circe, centering a character the original treats as a footnote.

• Odysseus himself was never a clean hero, and that gray area is a big reason the story keeps holding up.

 

Odyssey Adaptations Hiding in Plain Sight

• You've seen more of them than you think: O Brother, Where Art Thou?, Cold Mountain (Charles Frazier, 1997), and [LINK: Ulysses] by James Joyce.

• It reaches into sci-fi too, from 2001: A Space Odyssey to the creatures and detours borrowed by Percy Jackson (Rick Riordan).

 

On Our Nightstand: New Releases and ARCs

• Shirin is deep in Dungeon Crawler Carl by Matt Dinniman, now getting a Peacock series from Seth MacFarlane (Princess Donut on screen, finally).

• Meaghan is reading an ARC of The Iron Hex, the debut romantasy from Canadian author Victoria S. Walsh, out August 4, 2026.

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Enola Holmes 3 dropped on Netflix on July 1, 2026, and it is the first film in the franchise that neither of us actually enjoyed. Director Philip Barantini reportedly pitched it as the Prisoner of Azkaban of the series, the entry where the tone grows up alongside the characters. Enola is getting married. Sherlock has been kidnapped. There is stolen Afghan gold buried inside a story about British rule in Malta. On paper, this should be the best Enola Holmes movie. On screen, she winks at the camera while she is being drowned.

Enola Holmes 3 Review: The Netflix Threequel Nobody Was Ready to Dislike

Enola Holmes 3 arrived on Netflix on July 1, 2026, four years after Enola Holmes 2, and it is the first film in the series we both came away cold on.

Director Philip Barantini took over from Harry Bradbeer and pitched a darker entry, the Prisoner of Azkaban of the franchise. The wink Enola delivers mid-drowning suggests otherwise.

Everyone except Sharon Duncan-Brewster seems to be floating through the film. Her Moriarty reads as over the top only because nobody else is playing at her level.

The set, the costumes, and Malta itself are lovely. The film uses its locations far better than it uses its plot.

Nancy Springer's Enola Holmes Books vs. Netflix's Original Scripts

The Enola Holmes Mysteries by Nancy Springer runs ten books, starting with The Case of the Missing Marquess.

Only the first film adapts a book. Films two and three are original scripts built on Springer's characters, with the author uninvolved.

Springer's Enola is fourteen, a "perditorian" (finder of lost things), and a genuinely clever spin on Arthur Conan Doyle's canon.

Colonialism, Stolen Gold, and Commentary That Never Lands

The mystery turns on British officers stealing Afghan gold and hiding it in Malta, tied to Tewkesbury's late father and the Empire's occupation of the island.

Moriarty raises real, sharp points about who Britain took from and why. The film states them, then moves on to the next scene.

Compare Enola Holmes 2, where the match girls' strike of 1888 was woven straight into the mystery. Here the wedding plot and the mystery plot barely touch.

Female Empowerment With No Actual Power

Enola is asked to choose between being a lady and being a detective, which is the most interesting question in the film and gets the least room.

Eudoria Holmes has nothing to do and remains a fugitive. Her companion Edith is right there, and the film will not go anywhere near it.

Sherlock and Watson get the same treatment. The tea, the closeness, the careful framing, and then nothing. Commit or don't.

The Verdict, the Scores, and Enola Holmes 4

Strengths: costumes, sets, Malta, and the comfort of recurring characters. Weaknesses: tone, plot holes, and a mystery you forget while watching it.

Audiences and critics both landed lower than either previous film, the franchise's first entry to miss Certified Fresh on Rotten Tomatoes.

Netflix has not confirmed a fourth film. Millie Bobby Brown says she is in if Netflix and Louis Partridge are in.

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📖 Romance & Escapist Picks

Beach Read by Emily Henry (2020) — Two writers with opposite tastes swap genres for the summer. A film adaptation is currently in production starring Phoebe Dynevor and Patrick Schwarzenegger.

The Unhoneymooners by Christina Lauren (Christina Hobbs & Lauren Billings) — Enemies-to-lovers enemies-forced-to-share-a-honeymoon. Part tropical, part surprisingly sincere.

Fast and Fastidious by R.M. Caldwell — Regency England (1810), illegal carriage races, espionage, and a murder plot that could bring down all of Britain. Bridgerton meets The Fast and the Furious, genuinely works. 

🔪 Thriller & Crime

The Right to Remain by James Grippando — Book 20 in the Jack Swyteck legal thriller series. A murder client who refuses to say a single word — not to his lawyer, not to the judge, not to anyone. Works perfectly as a standalone. 

An Honorable Assassin by Steve Hamilton — Nick Mason is sent to Jakarta to eliminate an international fugitive. His new team doesn't care if he survives. Spy thriller, constant double-crossing, Thailand heat. Standalone-friendly. 

The Resort by Sara Ochs — Debut thriller set on the island of Koh Sang, Thailand. Expat dive instructors, a dead tourist, and an epilogue that makes you put the book down slowly. 

👻 Horror Picks

Molka by Monika Kim — Feminist horror exploring the illegal spy camera epidemic in South Korea. Multi-POV, including the perpetrator's, which is an extremely uncomfortable place to spend time. Follow-up to The Eyes Are the Best Part (Bram Stoker Award winner).

You're Not Supposed to Die Tonight by Kalynn Bayron — A full-contact slasher simulation at a summer camp goes very, very wrong. Friday the 13th energy, queer lead, fast pace. YA horror that earns the R-rating it doesn't technically have.

Mexican Gothic by Silvia Moreno-Garcia (2020) — A 1950s Mexico debutante investigates a decaying estate and a family that may have driven her cousin to madness. Gothic tone in a lush, hot, non-rain-soaked setting. 

🚀 Sci-Fi & Post-Apocalyptic

Rhino: The Rise of a Warrior by Nicholas Sansbury Smith — Hell Divers universe prequel. A boy born in a post-nuclear underground bunker survives slavery, cannibalism, and a Cazador warrior society to become something terrifying. It's aggressively hot the entire time.

Old Guns by J.N. Chaney & Nicholas Sansbury Smith (currently reading) — Two retired, very grumpy space marines are dragged back into service to fight the alien force that killed one of their families. "I'm too old for this" energy from page one.

📜 Classic Pick

Rebecca by Daphne du Maurier (1938) — The unnamed second Mrs. de Winter. Manderley. A housekeeper who will not let the dead stay dead. One of the great gothic thrillers, and shorter than you think. Partially set in the South of France, which makes it summery in spite of itself. Multiple film adaptations exist; the Alfred Hitchcock version (1940) with Laurence Olivier is considered the essential one.

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Cape Fear is back, Apple TV's new 10-episode Cape Fear series stars Javier Bardem as Max Cady, and we're breaking down the first two episodes.

Meaghan is joined by Arthur (filling in for Shirin) to dig into the new Cape Fear adaptation on Apple TV, starring Javier Bardem, Amy Adams, and Patrick Wilson. We trace it back to John D. MacDonald's 1957 novel The Executioners and compare this version to the 1962 film (Gregory Peck, Robert Mitchum) and the famous 1991 remake (Robert De Niro, Nick Nolte, Jessica Lange, Juliette Lewis).

Cape Fear's long road from novel to Apple TV

Cape Fear started life as The Executioners, a 1957 novel by John D. MacDonald (also known for the Travis McGee series).

It's been adapted three times now: the 1962 film with Gregory Peck and Robert Mitchum, the 1991 remake with Robert De Niro and Nick Nolte, and now this 10-episode Apple TV series.

At just over 200 pages, the source novel is short, meaning the new miniseries has a lot of room to expand the story.

Javier Bardem's Max Cady, how he compares

Bardem takes over a role previously played by Robert Mitchum (1962) and Robert De Niro (1991), both iconic, very different takes on the character.

We talk about how unsettling his stillness is, and how the show keeps us guessing about whether Max Cady is actually guilty of the murder for which he was convicted.

In this version, Max Cady's conviction (for the murder of his wife and unborn child) gets overturned after a confession surfaces, setting up a very different starting point than previous adaptations.

Amy Adams and Patrick Wilson as the Bowdens

Amy Adams plays Anna Bowden, the defense attorney from Max Cady's original trial, a gender-swapped twist on the classic "Sam Bowden" role.

Patrick Wilson plays Tom Bowden, the prosecutor in that same case, now Anna's husband.

We dig into the implication that Anna and Tom may have colluded during the original trial, and what that could mean once the truth comes out.

The Bowden kids: Natalie and Zack

Natalie Bowden, played by Lily Collias, is Anna's daughter from a previous relationship, and seemingly the "responsible" sibling.

Zack Bowden, played by Joe Anders, is dealing with a troubling backstory and increasingly disturbing behavior, including a deeply unsettling moment involving self-harm.

We talk about whether Max Cady is somehow connected to what's happening with Zack, or whether it's something else entirely.

The SJLP subplot and our early theories

Anna works for the Savannah Justice League Project (SJLP), an organization focused on freeing the wrongfully convicted — alongside her business partner, Noa Toussaint.

A separate wrongful-conviction case tied to the SJLP takes a dark and suspicious turn almost immediately after Max Cady is released.

We share our early predictions for where the rest of the season is headed, including whether Max Cady is guilty, innocent, or something murkier.

What's next

Cape Fear airs new episodes weekly on Apple TV, with the finale on July 31.

We'll be back with a full Cape Fear season recap once it wraps.

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A Good Girl's Guide to Murder Season 2 is on Netflix, and Megan and Shirin have watched every episode, so you can decide if it's worth your weekend.

Season 2 adapts Holly Jackson's Good Girl, Bad Blood, the second book in her bestselling YA trilogy, picking up roughly a year after Pip Fitz-Amobi cracked the Andie Bell case in Little Kilton. This time around, the mystery centres on the disappearance of Jamie Reynolds — Connor's older brother — while Pip is simultaneously fighting to put serial assailant Max Hastings behind bars and dealing with the very real PTSD she's carrying from everything that went down in season one.

The big question Megan and Shirin dig into: did season 2 actually fix what felt slow and kid-glovey about season one? The short answer is yes, and it's not particularly close. The pacing is tighter, the tone is darker, and Emma Myers rises to a version of Pip that has genuine weight to it. There's also a surprisingly compelling subplot following Max Hastings' psychology — and the dynamic between him and his mother is some of the best character work in the show so far.

They also get into the Good Girl, Bad Blood book-to-screen adaptation choices, what the show does well with Pip's trauma arc, where some of the peripheral storylines (Cara's subplot in particular) fall a little flat, and what doors this season leaves open for a potential third season.

 

The Show and the Source Material

A Good Girl's Guide to Murder Season 2 adapts Holly Jackson's Good Girl, Bad Blood (2020), the second book in her YA mystery trilogy

Season 2 premiered on Netflix globally on May 27, 2026 (BBC iPlayer/BBC Three in the UK), six episodes adapting directly from Jackson's second novel

Holly Jackson co-wrote the screenplay with returning writer Poppy Cogan — fans of the book will find this season a notably faithful adaptation

The first season covered A Good Girl's Guide to Murder (2019) — the podcast covered that on Episode 79; go back for full context on the Andie Bell case

What Season 2 Is About (Spoiler-Light)

Pip Fitz-Amobi (Emma Myers) is releasing her true-crime podcast about the Andie Bell and Sal Singh case while dealing with the aftermath — and her own trauma

The season's central mystery: the sudden disappearance of Jamie Reynolds (Eden H. Davies), older brother of Pip's friend Connor (Jude Morgan-Collie)

Running parallel: the trial of Max Hastings (Henry Ashton) for drugging and sexually assaulting multiple women — including key witness Becca Bell

A decades-old cold case involving a child serial killer's son (dubbed "Child Brunswick" by the press) unravels alongside the present-day mystery

Key Performances and Characters

Emma Myers (Wednesday, Family Switch) delivers a noticeably stronger performance this season — Pip's PTSD and loss-of-control arc gives her a lot more to work with

Zain Iqbal as Ravi Singh is a grounding presence; the relationship between Pip and Ravi doesn't drag the season into teen drama territory, which both hosts appreciated

Henry Ashton as Max Hastings is doing genuinely complex work — Shirin draws comparisons to Bryce Walker from 13 Reasons Why in terms of archetype, though both agree there's no redemption arc coming

Supporting cast: Asha Banks (Cara Ward), Yali Topol Margalith (Lauren Gibson), Gary Beadle (Victor Amobi), Anna Maxwell Martin (Leanne Fitz-Amobi)

What Works, What Doesn't

Pacing is significantly improved over season one — both hosts agree the show ditches the overly cautious YA tone and commits to a proper BBC mystery register

Cara Ward's post-arrest subplot (drug use, friendship falling-out) felt underwritten and resolved too quickly — likely more developed in the source novel

Leanne Fitz-Amobi (Pip's mum) is underutilised compared to season one; Shirin flags an interesting gendered dynamic in how both parents are written and shot

The season's villain reveal isn't the twistiest of twists — both hosts guessed the broad shape of it — but the pacing makes it land anyway

Looking Ahead

Season 2 ends with the killer unresolved and a new threat looming over Pip — doors are open for a third season adapting As Good as Dead, the trilogy's finale

No renewal announced at time of recording — but the show's 90%+ Tomatometer and near-perfect audience score on Rotten Tomatoes make a strong case

Megan mentions upcoming coverage of Cape Fear (Apple TV+)

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