Deep Cut: A Film Podcast

Eli sits down with programmer Madeline Whittle to chat about this year’s edition of SCARY MOVIES, which showcases the latest offerings in horror from all around the world. Maddie talks about her relationship with horror films, the process of selecting films for SCARY MOVIES XIV, and previews some of the offerings at the festival! SCARY MOVIES XIV will run from August 12 - 20 at New York City’s Film at Lincoln Center.
Links:
Film at Lincoln Center: Scary Movies XIV
Maddie’s Twitter
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Timestamps:
00:00 Intro
00:45 Maddie’s relationship with horror films and the festival
05:54 Programming the Scary Movies festival
09:25 Festival highlights 
15:27 Why do we watch scary movies?
19:12 Maddie’s Deep Cut Pick

The Deep Cut team reaches a major milestone as Ben and Eli interview Deep Cut canon director Kiyoshi Kurosawa! The Japanese auteur generously answers questions about his latest film, The Samurai and the Prisoner: how does Chiyoho in this film link to Akiko in Cloud? Are the comedic moments intentional? And Eli finally gets to ask his most burning Kurosawa question: WHY ALL THE PLASTIC SHEETS?
Special thank you to Ryanne Gordon, Benkei Golden, and Amaka Nwokocha from Divergent PR and translator, filmmaker, and artist Monika Uchiyama for making this episode possible.
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Timestamps:
00:00 Intro
03:18 Interview begins
04:13 Social structures and Murashige
05:47 Chiyoho in a man’s world
07:33 Plastic sheet
09:41 Long takes and blocking
12:47 Cinematic influences
15:18 Comedic aspects
17:02 Closing thoughts

Deep Cut director Kiyoshi Kurosawa is back with a sharp left turn in The Samurai and the Prisoner: Silence of the Lambs by way of Seven Samurai! On this Deep Cut Upkeep episode, we return to the director of Cure and Pulse to look for the director’s unnerving tone, restrained direction, societal interrogation, and… matcha-making techniques?
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Timestamps:
00:00:00 Intro
00:06:48 General reactions
00:15:20 Kurosawaisms in The Samurai and the Prisoner
00:20:55 Comedy
00:31:05 Chiyoho’s version of Buddhist ideology
00:36:00 Murashige’s mysterious motivations
00:42:38 Kurosawa and tone
00:49:20 Brainstorming questions for Kurosawa
00:53:28 Our feelings on Kurosawa now

Fresh off the opening weekend of Christopher Nolan’s latest blockbuster, the Deep Cut trio welcome friend of the pod Koh Zhi Hao to talk about The Odyssey. Listen to us break down the differences in Nolan’s adaptation of Homer’s poem, discuss who gave a bad performance in this, and finally answer the question; Does Chris Nolan make movies for stupid people? 
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Timestamps:
00:00:00 Intro
00:02:40 Introducing film and Zhi Hao
00:09:59 Formats we saw and general reactions
00:40:35 Context and favorite moments
00:55:12 Favorite technical aspects
01:08:46 Phaeacia, Helen, and other details
01:19:54 The gods' influence on characters
01:30:37 Nolan's influence
01:34:48 Odyssey viewing formats
01:44:10 Closing

Deep Cut welcomes back dear friend and frequent guest Thanmye Lagudu to share his love for Indian filmmaker Christopher Nolan (iykyk) and his twisty Tenet. Listen as we all get a headache trying to make sense of Nolan’s (overly?) complicated plot: protagonists, time travel, character archetypes, race, temporal sphincters, and Nolan’s new collaborators in Jennifer Lame and Ludwig Göransson, and Robert Pattinson abound. And listen to the very end for an easter egg…
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Timestamps:
00:00:00 Intro
00:02:56 Introducing Thanmye
00:09:59 Introducing Tenet
00:11:21 General reactions
00:19:46 Guesteral pincer movement
00:22:34 The bromance
00:25:03 The Protagonist / Determinism
00:30:00 Bond / le Carre comparisons
00:33:45 Climactic / action scenes
00:38:52 Emotional truth, vs Interstellar
00:42:07 Ludwig Göransson score
00:43:04 Editing with Jennifer Lame
00:48:16 Thanmye's favorite things about Tenet
00:54:25 "Indie" solutions / Tactile filmmaking
00:59:45 Nolan as auteur 
01:01:53 Nolan male archetype
01:08:21 Hopes for The Odyssey
01:11:43 Nolan as "Indian" filmmaker
01:14:06 More from Thanmye