Deep Cut: A Film Podcast

Fall in love with three beautiful podcast hosts; fumble the bag with all three. To prepare for our upcoming interview with director Mary Stephen, we study her work editing Éric Rohmer’s A Summer’s Tale. Almost five years following our initial series on the French auteur, have our thoughts changed on his calm naturalism? We compare his work to more recent Deep Cut director Hong Sang-soo, discuss the structure of his scenes, and wonder about how Stephen helped sculpt time in this film. Most importantly: do we really find that pouty French twink hot?
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Timestamps:
00:00:00 Intro
00:06:00 A Summer Tale context
00:10:38 General reactions
00:20:02 Film structure and opening
00:24:47 Gaspard’s conundrum 
00:30:48 Margot
00:36:08 What is the film trying to say?
00:38:15 Naturalism and conversations 
00:44:05 The passage of time 
00:46:15 The audience’s trust
00:50:17 Hong v Rohmer, closing tangents

Eli flies in from his foray into his favorite film fest, the 64th installation of the New York Film Festival. It’s a year full of delicate, considerate, humanistic films: Sandra Wollner’s Everytime, Ira Sachs’ The Man I Love, Jordan Firstman’s Club Kid, and Mike Leigh’s Tender Loving Care. Ben and Wilson share their thoughts on two more films in the lineup, Hong Sang-soo’s The Day She Returns, and William Greaves’ Once Upon a Time in Harlem. Also, just for the heck of it, hear what Wilson thinks about Kore-eda Hirokazu’s latest, Look Back.
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Timestamps:
00:00 Intro
06:40 Everytime (2026) dir. Sandra Wollner
13:05 The Man I Love (2026) dir. Ira Sachs
23:17 Club Kid (2026) dir. Jordan Firstman
27:31 Tender Loving Care (2026) dir. Mike Leigh
32:37 For The Moon (2026) dir. Eric Baudelaire
38:44 The Day She Returns (2026) dir. Hong Sang-soo
44:07 Once Upon a Time in Harlem (2026) dir. William Greaves, David Greaves
47:25 Look Back (2026) dir. Hirokazu Kore-eda
50:59: Upcoming festival coverage

Before Paul Verhoeven was Hollywood’s pervert-auteur of choice, he was making massive hits in Dutch cinema like this episode’s focus, Katie Tippel. Ben’s main question for this episode: what is Paul Verhoeven’s worldview? To answer, the Deep Cut trio explores the economic and sexual exploitation of Tippel’s world, the surprisingly modern-feeling period filmmaking, and lots of nudity.
Links:
Adam Nayman on Katie Tippel
Ben’s review of Mahjong
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Timestamps:
00:00:00 Intro
00:03:51 Summary, context, and general reactions
00:19:08 Verhoeven's worldview
00:33:43 Prostitution and sexuality
00:48:47 Historical films and the feeling of modernity
01:04:00 Exploitation?

Sex, violence, and metanarrative critiques of the audience! Our series on the films of Dutch auteur Paul Verhoeven begins with several bangs in 1992's Basic Instinct. After getting to know the thrilling perv, Wilson gets grossed out by Michael Douglas, Ben gets enthralled by Sharon Stone, and Eli gets confused about the ending. What big ideas lie beneath this spectacular erotic thriller? Listen on…
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Timestamps:
00:00:00 Intro
00:01:50 Introducing Paul Verhoeven
00:10:00 Moral complexity 
00:17:08 Context on Verhoeven
00:27:15 Introducing Basic Instinct
00:33:00 Nick as the protagonist; Michael Douglas as an actor
00:41:25 The interrogation scene
00:52:30 The end of the movie 
01:02:29 Car chases and murder
01:06:15 Themes and big ideas 
01:14:30 Closing thoughts

Following his conversation with Film at Lincoln Center programmer Maddie Whittle, Eli returns from watching the series she programmed, Scary Movies XIV, to tell Ben and Wilson about fright, fear, thrill, chill… you get it. Stay tuned for Eli’s thoughts on new films Buddy (dir. Casper Kelly) and Something Real (dir. Evar Anvelt) and revival screenings of Cam (dir. Daniel Goldhaber), Henry: Portrait of a Serial Killer (dir. John McNaughton), and Wendigo (dir. Larry Fessenden), plus exclusive insights from directors during their Q&A sessions.
Links:
The full slate of films at Scary Movies XIV
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Timestamps:
00:00 Intro
01:42 Festival intro
09:30 General horror discussion
12:13 Buddy (2026) dir. Casper Kelly
17:00 Something Real (2026) dir. Evar Anvelt
21:09 Revivals
21:34 Cam (2018) dir. Daniel Goldhaber
34:31 Henry: Portrait of a Serial Killer (1986) dir. John McNaughton
42:56 Wendigo (2001) dir. Larry Fessenden
50:31 Wrap-up