Chris Webb and Artur Hojan, "The Chelmno Death Camp: History, Biographies, Remembrance" (Ibidem Press, 2019)
The Chelmno Death Camp: History, Biographies, Remembrance (Ibidem Press, 2019) is a comprehensive account of the Chelmno death camp. Chelmno was not only the first Nazi death camp, it also set a horrific example in establishing gas vans as the first mass use of poison gas to kill Jews. Chris Webb and Artur Hojan cover the construction and the development of the mass murder process as perfected by the Nazis. The story is painstakingly told from all sides, the Jewish inmates, some who survived the Holocaust, the perpetrators, the Polish Arbeitskommando, and others.
A major part of this work is the Jewish Roll of Remembrance, which includes the few survivors and the Jews deported from the Reich, via the Litzmannstadt ghetto, to their deaths in the gas vans. The book is richly illustrated with historical and contemporary photographs and documents.
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53:43
Nechama Birnbaum, "The Redhead of Auschwitz: A True Story" (Amsterdam Publishers, 2021)
Rosie was always told her red hair was a curse, but she never believed it. She often dreamed what it would look like under a white veil with the man of her dreams by her side. However, her life takes a harrowing turn in 1944 when she is forced out of her home and sent to the most gruesome of places: Auschwitz.
Upon arrival, Rosie's head is shaved and along with the loss of her beautiful hair, she loses the life she once cherished. Among the chaos and surrounded by hopelessness, Rosie realizes the only thing the Nazis cannot take away from her is the fierce redhead resilience in her spirit. When all of her friends conclude they are going to heaven from Auschwitz, she remains determined to get home. She summons all of her courage, through death camps and death marches to do just that.
The Redhead of Auschwitz: A True Story (Amsterdam Publishers, 2021), written by Nechama Birnbaum in honor of her grandmother, is as full of life as it is of death. It is about the intricacies of Jewish culture that still exist today and the tender experiences that are universal to all humanity. It is a story about what happens when we choose hate over love.
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53:53
Lucy Adlington, "The Dressmakers of Auschwitz: The True Story of the Women Who Sewed to Survive" (HarperCollins, 2021)
At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp—mainly Jewish women and girls—were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers.
This fashion workshop—called the Upper Tailoring Studio—was established by Hedwig Höss, the camp commandant’s wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin’s upper crust.
Drawing on diverse sources—including interviews with the last surviving seamstress—The Dressmakers of Auschwitz (Harper Collins, 2021) follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers’ remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.
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1:11:34
Tim Grady, "Burying the Enemy: The Story of Those who Cared for the Dead in Two World Wars" (Yale UP, 2025)
In Burying the Enemy: The Story of Those who Cared for the Dead in Two World Wars (Yale University Press, 2025), Tim Grady recounts here a detailed history of the fate of combatants who died on enemy soil in England and Germany in World Wars I and II. The books draws on a rich archive of personal family experiences, and describes the often touching acts of kindness and reconciliation with families caring for graves of enemy personnel in churchyards and local cemeteries close to where those deaths took place. Both sides were at pains to photograph tended graves, demonstrating reciprocal respect. The Commonwealth War Graves Commission and the German equivalent - the VDK - obscured decision-making around repatriation, which led to some family distress. Grady recounts in detail the creation of the German military cemetery at Cannock Chase, which comprised a year-long programme of exhumations across the UK. This book is a highly readable and touching account of the tensions that arose between families and the state in response to military death in the World Wars, offering a unique insight into personal German/English relations during both and after both conflicts.
Tim Grady is professor of modern history at the University of Chester.
Dr Julie Rugg is a Reader in Social Policy at the University of York, UK. She has an abiding interest in the ways in which societies come to an accommodation with mortality. The Cemetery Research website connects scholars with similar interests and in multiple disciplines from around the world.
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54:30
Alexandra Birch, "Hitler’s Twilight of the Gods: Music and the Orchestration of War and Genocide in Europe" (U Toronto Press, 2025)
Music was an integral part of statecraft and identity formation in the Third Reich. Structured thematically and semiotically around the Wagnerian tetralogy of the Ring cycle, Hitler’s Twilight of the Gods: Music and the Orchestration of War and Genocide in Europe (U Toronto Press, 2025) provides a sonic read of the Second World War and the Holocaust.
Alexandra Birch sheds light on the specific type of music promoted under Nazism, linked to larger Teutonic mythologies and histories espoused in rhetoric and personal styling. The book explores the musical fixation of the command as it was extended to the ordinary troops of the Wehrmacht and SS in instances of musical sadism and destruction during the Holocaust. It reveals how, in constructing what was "German," this process also intentionally fashioned a subaltern other with an assigned set of music and aesthetics.
The book draws on analysis of testimony and perpetrator documents to reveal the execution of this binary identity and the inclusion of music even in extreme genocidal conditions. From drinking games in the interwar period, to musical sadism in the Holocaust, to the final delusions of the command in collapse, Hitler's Twilight of the Gods illuminates how music was a component of camaraderie, identity, masculinity, and warfare.
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Interviews with Scholars of Genocide about their New Books
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