MOIRÉE Podcast

Critics Blake Williams, Mark Peranson, Daniel Kasman, Öykü Sofuoğlu, and Pedro Emilio Segura Bernal discuss films from the first two days of Cannes 2026, including:
- Pierre Salvadori's The Electric Kiss
- Kantemir Balagov's Butterfly Jam
- Jane Schoenbrun's Teenage Sex and Death at Camp Miasma
- Charline Bourgeois-Tacquet's A Woman's Life
- Kôji Fukada's Nagi Notes

Blake Williams is joined by critics Maja Korbecka and Pedro Emilio Segura Bernal to discuss the final days of the 2026 Berlinale, including thoughts on:
- Hong Sang-soo's The Day She Returns
- James Benning's EIGHT BRIDGES
- Beth de Araújo's Josephine
- Abdallah Alkhatib's Chronicles from the Siege
- Nurith Aviv's Given Names

Blake Williams is joined by critics David Hudson, Darren Hughes, Daniel Kasman, and Pedro Emilio Segura Bernal to discuss some of the best films they've seen at the midpoint of the 2026 Berlinale, including:
- Angela Schanelec's My Wife Cries
- Lance Hammer's Queen at Sea
- André Novais Oliveira's If I Were Alive
- Sebastian Brameshuber's London
- Tudor Cristian Jurgiu's On Our Way
- Kelly O’Sullivan & Alex Thompson's Mouse
- Mohammad Shirvani's Cesarean Weekend

Blake Williams is joined by critics Zachary Lewis, Daniel Kasman, Pedro Emilio Segura Bernal, Maja Korbecka, Beatrice Loayza, and Jordan Cronk to discuss some highlights from the first weekend of the 2026 Berlinale, including:
- Alain Gomis's Dao
- Nicolás Pereda's Everything Else Is Noise
- Xu Zao's Light Pillar
- Markus Schleinzer's Rose
- Kai Stänicke's Trial of Hein

Critics Blake Williams, Vadim Rizov, Beatrice Loayza, Forrest Cardamenis, and Jordan Cronk discuss highlights from the 2026 International Film Festival Rotterdam, including:
- Charlotte Zhang’s Tycoon
- Kevin Walker & Jack Auen’s Chronovisor
- Renaud Després-Larose & Ana Tapia Rousiouk’s Nightmare's Advice
- James N. Kienitz Wilkins’s The Misconceived
- Tetsuya Marayama’s ANTFILM, untitled (three moons), and Pedra e Montanha
- Stefan Koutzev’s Why hasn’t everything disappeared yet
- Xacio Baño’s After the Cities