Guy Ritchie is back, mostly for the better, in crime-caper mode with "The Gentlemen," a tale of criminal toughs and toffs in London trying to take down Matthew McConaughey's Mickey Pearson, an ex-pat American who's made a king's ransom growing marijuana in subterranean, tech-intensive farms under some of England's statelier homes.
“Dolittle” is the latest in a long, undistinguished line of movies about the veterinarian who can talk to animals. It doesn’t speak well for the film that one of its only affecting moments involves a stick insect that doesn't seem to listen and has nothing to say.
The Rise of Skywalker
Log line. The Star Wars party is over, or at least a significant part of it. Forty-two years after George Lucas put the saga in motion, the Skywalker trilogy has come to an end with "The Rise of Skywalker."
Energy flows from anxiety in "Uncut Gems." You may be exhausted but you'll never be bored by Adam Sandler's astonishing performance.
"The Aeronauts" is in the Jules Verne vein of "Around the World In 80 Days," but on a slightly more modest scale. It's around and above London during a few hours with an intrepid pilot played by Felicity Jones and her scientist companion, who's played by Eddie Redmayne. Without giving away too much, I can tell you that the higher they go the colder they get.
Krytyk filmowy Joe Morgenstern, który co tydzień w tym podcaście rozrywa filmy na strzępy lub wynosi pod niebiosa, jest laureatem „Nagrody Pulitzera”, pracował dla The New York Times i innych wielkich gazet amerykańskich. Jednym słowem, opinia tego pana się liczy i należy koniecznie skonsultować się z nim przez pójściem do kina.
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